Showing posts with label gay. Show all posts
Showing posts with label gay. Show all posts

11 June, 2009

2 boys, 1 Milan

There has been plenty of romping around town these days, in preparation for the moment when we practically leave for 2 months. Yes, our Milanese time is rather short, so we're bound to make the most of it while we can.


First and foremost, Tot T has turned into a thief. He first confessed to me to "never, ever getting over stealing a candy from a shop at the age of 6", when he was forced by mother Lynne to return it (half chewed?) and apologise to the slumping teenager who worked there during the afternoon slots. Then, as if by miracle (and thanks to the intervention of a few large G&Ts), upon stumbling home he eyed a row of green rococo pillows lining a barfront not far from la casa.

Needless to say, before I could even realise, he grabbed one, shoved it under his t-shirt and walked home with the grin of a mouse who's eaten all the cheese.


The pillow has been named Madonna (the Pillow) since she too has a tendency to snatch stuff, mainly babies. Only the following morning, did the full reality descend into Tot T's brain. Yet, after a few protests that sounded very much like Adam's recriminations against Eve after HE ate the apple, he decided to adopt Madonna the Pillow, which is now as inseparable from his bum as... well as... erhm...


Other remarkable events include going to the Mix LGBT Film Festival of Milan, conveniently located 200 yards from la casa. The homosexuals have been spilling onto the square opposite Il Piccolo, the main prose theatre in Italy, for days now, moving in synchronicity to the sound of thumping house music and ready to face muscle-crunching squeezes through the theatre's narrow doors in order to see the likes of Antartica by Yair Hochner


or The Way I See Things by Brian Pera.


We, however, were not so lucky in our choice. We believed the hype, ignored all those alluring pictures of semi-naked men (what were we thinkink?!?!) and chose to go see Sally Potter's new flick Rage.


I rarely regretted a cinematic decision so much. In just under 100 minutes, Sally and her accomplices Judy Dench, Jude Law, Dianne Wiest, John Leguizamo, Simon Abkarian and Steve Buscemi bore us to death through an infinite series of interviews to fashion people involved in an obscure and silly series of events, which may or may not represent a conceptual metaphor for the meaninglessness of life.


It was one of those circumstances when you know there are a lot of intelligent people who've given too much thought to producing something terribly obscure which makes them feel all terribly interesting, but which in fact is a load of rubbish. Next time, I am sticking with the films advertised with naked men on the front.

Finally, we're doing the rounds of our local restaurants, in search of the perfect meal. Our luck in this chapter took a sharp dive when we trusted Time Out's recommendations and ended up at Ol's under the false promise of candlelight and large platters of meat.


What we actually found were thousands of teenagers and tweens (pre-teens) running around in packs, and heavily sweating waiters and waitresses from India and Eastern Europe respectively struggling to contain their enthusiasm for the end of the school year. We were also seated next to what appeared at first a stag night, but later appeared to be a motorcycling club for boys in their 30s. Much beer was drunk. Many references were made about loose women. And so on.

What next? A real fashion show? Thank god it's Friday and we're off to Tuscany for the weekend... as Tot T's clan descends onto Italy. Expect many more stories...

07 March, 2009

Oh Chuck...


No comment necessary. The sight of a 15 mt tall Chuck on Broadway made me very, very happy.

08 December, 2007

Hatton v Mayweather

Those of you who know me are well aware of the fact that I am not really a fan of the noble sport of boxing. But somehow, the Hatton v Mayweather fight caught my attention:



Now, let's take a closer look at this picture.

Two muscular bodies are touching each other, one white, one black, naked but for a thin piece of cloth around their groin. Their noses are pressed together in a seemingly hostile, yet supremely intimate manner. Their hands are stretching in expectation of physical encounter. Their mouths are so close, they can feel each other's warmth on their lips. Old men are lapping up the scene in the background, grinning excitedly.

So, what have I just described? A healthy display of male hormones ahead of a virile fight?

No, I am sorry: this is homoeroticism if ever such a thing existed. And it encapsulates for me why most men are attracted to this sport. It's gay sex without the squirts, if you exclude a few noses bleeding now and then. I love these displays of homosexuality camouflaged as masculinity. If only the majority of boxing lovers knew why they love them too, maybe we'd be living in a slightly more tolerant world...

22 July, 2007

24 March, 2007

And then there were 299...


300 opened last night in London to packed cinemas, and we were there, on the front row of the Islington Vue for enhanced visual stimulation, enjoying every rippling bit of it. To call it a gloriously camp video game is an understatement. It's as close as you can get to gay porn, without getting an R18 certification.


The film oozes homosexual double-entendres all over the place, from a Xerxes modelled on RuPaul trying to get every muscular man to kneel before him, to a Rick Wolfmeier-lookalike Leonidas, leading an army of semi-naked muscle-marys. There are also some of the campest lines in the history of cinema:

Captain: On these shields, boys!

Persian Officer: SPARTANS! Lay down your weapons!
Leonidas: Persians...COME AND GET THEM!

Leonidas: We're in for one wild night!

Xerxes: Cruel Leonidas demanded that you stand. I require only that you kneel...

Leonidas: You have a good thrust!


Oh, and did I mention those rippling abs? We estimated that over 1m must crunches have gone into each actor's 'character' preparation. And not one of them was wasted...!

As for the whole Iran-US political controversy, it's simply far-fetched. The film is just brilliantly ridiculous, and if anything it's the Persians - with their multicultural army and grottesquely-complicated (and ineffective) war machines - that resemble the US, not the Spartans.

Another movie to... er... go down in history as a queer classic pretending to be a straight macho epic. Brilliant!